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It's such a dirty mess imperfect at it's best

But it's my love, my love, my bloody valentine

Sometimes I wanna leave but then I watch you next to me

My love, my love, my bloody valentine



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...смотрите на мускулистых мужчин. Когда у вас дефицит жизненной энергии и анемия, вы становитесь вялыми, уставшими, а ваша кожа может выглядеть тусклой. Вы также можете страдать от головокружения и бессонницы. Но созерцание мускулистых парней меняет ситуацию. Вид чего-то красивого высвобождает дофамин, заставляя нас чувствовать себя счастливее. Расслабьте свой разум и восстановите свою энергию. Ради своего здоровья побалуйте себя немного! (какой-то гинеколог из Китая)

ОКЕЕЕЙ.

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It was possible they’d hate my pictures, but that was all right because I didn’t hate them. Let them have their little laugh, their little boo-and-hiss, their little gasp of distaste (or their little yawn), if that was what they wanted to do; when it was over, I could go back and paint more.

 And if they loved them? Same deal.

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 “Anything I can ever do for you,” he said. “Ever. In my life. You call, I come. You ask, I do. It’s a blank check. Are you clear on that?”

 “Yes,” I said. I was clear on something else, as well: when someone offers you a blank check, you must never, ever cash it. That wasn’t a thing I thought out. Sometimes understanding bypasses the brain and proceeds directly from the heart.

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Keep your focus. It’s the difference between a good picture and just one more image cluttering up a world filled with them.

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Even from those incredibly brave first drawings, she must have understood what was happening. And wanted more.

  Her gift was hungry. The best gifts—and the worst—always are.

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  “It’s shells,” I murmured, lying back down. “Shells under the house. The tide’s in.”

  I loved that sound from the first, when I woke up and heard it in the dark of night, when I didn’t know where I was, who I was, or what parts were still attached. It was mine.

  It had me from hello.

«Дьюма-Ки», на мой взгляд, один из самых красивых романов Кинга. Красивых во всем, начиная с самой структуры - я вообще очень люблю кинговское гармоничное структурирование) - сеттинг, персонажи, слова, всё, всё.
И да, it has me from hello.
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Remember that the truth is in the details. No matter how you see the world or what style it imposes on your work as an artist, the truth is in the details. Of course the devil’s there, too—everyone says so—but maybe truth and the devil are words for the same thing. It could be, you know.

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For a moment everything was clear, and when that
happens you see that the world is barely there at all. Don’t
we all secretly know this? It’s a perfectly balanced
mechanism of shouts and echoes pretending to be wheels
and cogs, a dreamclock chiming beneath a mystery-glass we
call life. Behind it? Below it and around it? Chaos, storms.
Men with hammers, men with knives, men with guns.
Women who twist what they cannot dominate and belittle
what they cannot understand. A universe of horror and loss
surrounding a single lighted stage where mortals dance in
defiance of the dark.

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We never know which lives we influence, or
when, or why. Not until the future eats the present, anyway.
We know when it’s too late.

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Mike and Jim persuaded the
rest of the football team to perform a spirited can-can
wearing petticoats and bloomers down south and nothing
but skin up north. Jo Peet found wigs for them, and they
stopped the show. The town ladies seemed especially crazy
about those bare-chested young men, wigs and all.

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2011 had never seemed more distant than it did then.
Hell, Jake Epping had never seemed so distant. A growling
tenor sax was blowing in a party-lit gym deep in the heart of
Texas. A sweet breeze carried it across the night. A drummer
was laying down an insidious off-your-seat-and-on-your-feet
shuffle.

I think that’s when I decided I was never going back.
Забавно, что back для Джейка означало "вперед".
Так сука сочно описывает свои пятидесятые, что местами я ему почти завидую.
Попаданец здорового человека)
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Donald was a permanent resident of Rockville, in
the state of Daddy Cool. He wore pink-rimmed specs with
thick lenses, belt-in-the-back slacks, and saddle shoes so
grotesquely square they were authentically crazy, man. His
face was an exploding zit-factory below a Brylcreem-loaded
Bobby Rydell duck’s ass. He looked like he might get his first
kiss from a real live girl around the age of forty-two, but he
was fast and funny with the mike, and his record collection
(which he called “the stack-o-wax” and “Donny B.’s round
mound of sound”) was, as previously noted, the ginchiest.
Боже, мне пришлось гуглить это всё по отдельности, НО КАКАЯ ЖЕ ОФИГЕННАЯ КАРТИНКА ПОЛУЧИЛАСЬ, я не могу просто  


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Mike
had been called far worse; while hall-monitoring, I’d heard
him called Bohunk Mike, George of the Jungle, and Godzilla.
He laughed the nicknames off. That amused, even
absentminded reaction to slurs and japes may be the
greatest gift height and size conveys on large boys, and at
six-seven and two-seventy, Mike made me look like Mickey
Rooney.

Mike’s reading of
Lennie had been the farthest thing in the world from funny.
What it had been was a goddam revelation. I would have
used an electric cattle prod to keep him in the room, if that’s
what it took, but of course there was no need of such
extreme measures. Want to know the best thing about
teaching? Seeing that moment when a kid discovers his or
her gift. There’s no feeling on earth like it. Mike knew his
teammates would make fun of him, but he took the part
anyway. I cast some of the
other football players as townspeople, but I meant to have
Mike as Lennie from the moment he opened his mouth and
said, “I remember about the rabbits, George!”

He
became Lennie. He hijacked not just your eyes—
because he was so damn big—but the heart in your chest.
You forgot everything else, the way people forgot their
everyday cares when Jim LaDue faded back to throw a pass.
Mike might have been built to crash the opposing line in
humble obscurity, but he had been
made—by God, if there
is such a deity; by a roll of the genetic dice if there is not—to
stand on a stage and disappear into someone else.

Помню, когда я читала Дьюма-Ки, то не могла отделаться от того чтобы представлять в роли Джека Кантори - Джесси Айзенберга.
Теперь я знаю, кто должен был сыграть Майка Кослоу.
Надо признать, это добавляет удовольствию от книги особый оттенок))
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“Jake? Is that you?” This was followed by a fusillade of dry,
barking coughs.

I almost kept silent. I
could have kept silent. Then I
thought of how much of his life Al had invested in this
project, and how I was now the only thing he had left to
hope for.

I turned toward the sound of those coughs and spoke in a
low voice. “Al? Talk to me. Count off.” I could have added,
Or
just keep coughing.

He began to count. I went toward the sound of the
numbers, feeling with my foot. After ten steps—far beyond
the place where I had given up—the toe of my shoe simultaneously took a step forward and struck something
that stopped it cold. I took one more look around. Took one
more breath of the chemical-stenchy air. Then I closed my
eyes and started climbing steps I couldn’t see. On the fourth
one, the chilly night air was replaced with stuffy warmth and
the smells of coffee and spices. At least that was the case
with my top half. Below the waist, I could still feel the night.

I stood there for maybe three seconds, half in the present
and half in the past. Then I opened my eyes, saw Al’s
haggard, anxious, too-thin face, and stepped back into
2011.
Как же мне нравится его темп. Я знаю, у Кинга не то чтобы совсем уникальное чувство темпа - но это прям идеально, и это то, чего мне никогда не удается достичь. Мой собственный темп вечно спешит, будто я хочу как можно скорее разделаться с каждой сценой.
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I’m one of those people who doesn’t really know what he
thinks until he writes it down

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How should I tell you, then?

In my life as a teacher, I used to hammer away at the idea
of simplicity. In both fiction and nonfiction, there’s only one
question and one answer. What happened? the reader asks.
This is what happened, the writer responds. This... and this... and this, too. Keep it simple. It’s the only sure way home.

So I’ll try, although you must always keep in mind that in
Derry, reality is a thin skim of ice over a deep lake of dark
water. But still:

What happened?

This happened. And this. And this, too.

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It also occurred to me that
living in the past was a little like living underwater and
breathing through a tube.

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I was six feet five, blue eyes, brown hair, weight one-ninety. I had been born on April 22, 1923, and lived at 19 Bluebird Lane in Sabattus, which happened

to be my 2011 address.

“Six-five about right?” Al asked. “I had to guess.”

“Close enough.”
Ахаха, Кинг тоже любит высоченных чуваков))
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